“The
Shinning” Review
This past
Monday was Halloween and like most individuals instead of going out and
partying or trick or treating, I watched horror films all night with a few
friends and the one film that truly sent shivers down my spine was Stanley Kubrick’s
film “The Shinning”. I’ve seen this film around three times now but each time I
always get goosebumps from the score and the overall atmosphere of the majority
of the scenes. The film “The Shinning” is based off of a Stephen King novel by
the same name, and is focused around the Torrance family Jack, Wendy and their
son Danny as they are tasked to watching over the Overlook Hotel all winter
until the snow thaws and the staff can return to begin normal operations. At first
glance to the viewer this sounded like an easy task, but the hotel actually
held a dark secret where a long time ago a man who the same job many years prior
had murdered his entire family before killing himself, and to the average
person this just appeared to them as a severe case of cabin fever. However, the
hotel itself had become an apparition and it tries to force its residents that
stay there for a long time to stay forever and become a part of its ghostly
collection, and the entity that was chosen to be the representation of the
whole hotel was Delbert Grady, the man who killed his family many years prior
to prevent them from leaving the hotel. However, it’s not just the story that
made this a great horror film, it’s also all the thought that was put into the
pre-production, and production phases of the film. This can easily be shown
just through the complex layout of the hotel that was developed in production
design, for it easily shows that the actual set wasn’t at just one location, but
many different locations in order to create the perfect fictional hotel. In addition,
it is known that Kubrick often takes numerous takes of the same scene before
selection one that best suits the film, and one example of this is when Jack
finally succumbs to the hotel and begins to chase Wendy up the central stair
case as she tries to wave him off with a baseball bat, and it is said that
Kubrick had made the actors due so many numerous takes that it wasn’t until the
take where the actress looked extremely fatigued and was about to pass out from
exhaustion was the take that he wanted for the film. For Kubrick the
positioning of the camera is a necessity, for it being for product placement,
or to give you a different perspective, it just gives you more physiological
terror as you watch the film. As film critic for the Time Magazine Richard Schickel had stated “Kubrick has made a movie
that will have to be reckoned with on the highest level” for it is truly a masterpiece
to behold. If you do plan on watching it I would recommend it through a
projector on a big screen, and don’t bring any children and follow the Rating
System.
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